Eugenia Lim was born in 1981 in Melbourne, where she continues to live. She holds a Bachelor of Media Arts (Honours), RMIT University, Melbourne, 2006, and Bachelor of Creative Arts, Victorian College of the Arts, University of Melbourne, 2002. Lim’s solo exhibitions include The Ambassador, Samstag Museum of Art, University of South Australia, Adelaide, 2019; The Australian Ugliness, Open House Melbourne and Melbourne School of Design, Melbourne, 2018; The People’s Currency, 4A Centre for Contemporary Asian Art x Asia TOPA, Federation Square, Melbourne, 2017; Artificial Islands (Interior Archipelago), Firstdraft, Sydney, 2017; Yellow Peril, Metro Arts, Brisbane, and Bus Projects, Melbourne, 2015; Sunfade: a room of one’s own, Schoolhouse Studios, Melbourne Festival, 2012; Stay Home Sakoku: The Hikikomori Project, West Space, Melbourne, 2012; Oasis, Dianne Tanzer Gallery + projects, Melbourne, 2011; 100 Proofs the Earth is Not a Globe, with Tape Projects, Next Wave Festival, Melbourne, 2010, and NOWHERELAND: the Paris Human Flesh Incident, Blindside, Melbourne, 2010. Recent group exhibitions and screenings include The National 2019: New Australian Art, Museum of Contemporary Art Australia, Sydney, 2019; Lucky?, Bundoora Homestead Art Centre, Melbourne, 2018; Hyphenated, The Substation, Melbourne, 2018; Unfinished Business: Perspectives on Art and Feminism, Australian Centre for Contemporary Art, Melbourne, 2017–18; Our Selves, CTRL + SHFT, Oakland, CA, USA, 2017; Big Walk to Golden Mountain, Punctum x Asia TOPA, 2017; EXiS, Seoul International Experimental Film Festival, Seoul, South Korea, 2016; Video Contemporary, Sydney Contemporary, 2015; La Movida, Bibliotheca Municipal de Barranco, Lima, Peru, 2015; Experimental Congress, Gertrude Contemporary, Melbourne, 2013; Dark Mofo / Dark Faux Mo, Odeon, Hobart, 2013. Lim’s work is held in private and public collections, including the City of Melbourne and City of Darebin.