Faculty of Medicine, Dentistry and Health Sciences at the University of Melbourne
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In this talk, professor Shahar Hameiri will discuss his new co-authored book: Fractured China: How State Transformation is Shaping China’s Rise. The book intervenes in the central debate in International Relations today: is China’s rise a threat to the established international order?
Fractured China shows that it depends what one means by “China”. For China is not the monolithic, unitary actor that many assume. Forty years of state transformation – the fragmentation, decentralisation and internationalisation of party-state apparatuses – have profoundly changed how its foreign policy is made and implemented. Today, Chinese behaviour abroad is often not the product of a coherent grand strategy, but results from a sometimes-chaotic struggle for power and resources among contending politico-business interests, within a surprisingly permissive Chinese-style regulatory state.
This webinar is the fourth in the Australian Centre’s 2022 Critical Public Conversations series: Undoing Australia.
Increasingly across the globe, statues and monuments celebrating imperial conquest and colonial oppression are being defaced, recontextualised, removed by authorities or spectacularly toppled by protestors. It is evident from such acts that public memorials have become significant sites for inciting debate and action on the histories and ongoing legacies of colonial and racist violence.
In Australia, it is routinely noted that there are contradictions in public remembrances that tend to honour white settler lives and accomplishments over Indigenous ones, and a culture of active silence on the violence of colonialism in public presentations of the past. In response, many contemporary Indigenous and non-Indigenous artists have produced public “counter-monuments” to make visible contested histories. In this lecture, Genevieve Grieves and Amy Spiers will discuss how the public’s view of colonial history and its legacies can be confronted and transformed through creative counter-monument practice by drawing on a number of contemporary Australian examples.
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