University of Melbourne Events Calendar

The Future of Disinformation is an insightful exploration of how societies worldwide are increasingly subjected to misinformation and disinformation—spanning from social media to mainstream news.

This thought-provoking showcase will feature insights from leading experts and thought leaders, addressing the critical questions of our time: What are the legal, social, technical, and psychological dimensions of truth and trust in information? Who decides what is true? When should content moderation be applied? How should children and adults be educated in navigating public information?

At the event, panellists will delve into these pressing issues, uncovering the dynamics of truth in the digital age. Participants will engage in discussions that reveal innovative approaches to media literacy and strategies for fostering information integrity.

The Future of 2024 series is presented in partnership with Lendlease.

This seminar is presented as part of the Louise Hanson Dyer Colloquia Series.

When people in positions of power make proclamations so extreme or absurd that it is difficult to distinguish between satire and the real thing, how might comedians or politically-minded artists approach their work? When the far-reaching effects of cruel histories are forgotten or weaponised, when popular discourses around wokeness and privilege are directed at those surviving structural inequalities, what role is there for humour?

This paper examines these questions through three musical examples. First, the Ljubljana-based collective Laibach, self-described as a ‘music and cross-media group’, draws on theories of Gesamtkunstwerk(‘total work of art’) to invite its audiences to reconsider the mis/representations used by those in power. Laibach moves from the juxtaposition of historic and contemporary symbols and sounds to the production of popular song covers that subvert or extend assumed meanings and associations, usually to simultaneously humorous and political effect.

Secondly, the West Belfast-based hip hop trio Kneecap raps in Irish and English about the effects of colonialism, practising what its members describe as ‘cheeky storytelling’, appealing to listeners’ senses of humour and justice. Kneecap’s name refers to the paramilitary practice of taking violent retribution in the absence of access to official justice systems.

Finally, the Adelaide-formed duo The Coconuts are multidisciplinary artists Leela Varghese and Shabana Azeez, who produce musical comedy that addresses ‘being Brown in Australia’, the contradictory discourses and practices around ‘diversity’ and the problematic politics of entertainment industries. Together, these three examples invite us to consider the multidirectional possibilities of music and political humour.

PARKING

The City of Melbourne has recently changed the parking restrictions around the Southbank Campus. Parking control hours are now expanded to 7am–10pm, seven days per week, and are capped at three hours. A $2-per-hour fee after 7pm is also now in place. There is no change to the $4-per-hour peak rate between 7am–7pm. Parking inspectors are regularly in the area fining drivers who overstay their meter, so we encourage everyone to be aware and avoid an expensive fine. More information.

ACCESSIBILITY

All venues at the Southbank campus are wheelchair accessible. To read more about access services available at our venues, please visit: https://finearts-music.unimelb.edu.au/access-our-events.